J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.   Related Paintings of Jean Auguste Dominique Ingres :. | Joan of Arc at the Coronation of Charles VII in Reims Cathedral (mk09) | Self-portrait at the Easel (mk04) | Mademoiselle Jeanne Suzanne Catherine Gonin | The Sculptor Lorenzo Bartolini (mk05) | Achilles Receives the Envoys of Agamemnon (mk04) |
Related Artists:
Viktor Vasnetsov
Russian Painter , 1848-1926 Painter, designer and graphic artist. He played a leading role in the evolution of Russian art from 19th-century realism towards Art Nouveau with a national historical slant. The son of a priest, he studied at a theological seminary in Vyatka (1862-7); then, developing a passion for drawing, he entered the drawing school of the Society for the Encouragement of the Arts, St Petersburg, and studied under Ivan Kramskoy in 1867-8. He perfected his skills at the Academy of Arts, St Petersburg, in 1869-75 and joined the WANDERERS in 1878.
John Thomson
John Thomson (14 June 1837 - 29 September 1921) was a pioneering Scottish photographer, geographer and traveller. He was one of the first photographers to travel to the Far East, documenting the people, landscapes and artifacts of eastern cultures. Upon returning home, his work among the street people of London cemented his reputation, and is regarded as a classic instance of social documentary which laid the foundations for photojournalism. He went on to become a portrait photographer of High Society in Mayfair, gaining the Royal Warrant in 1881. The son of William Thomson, a tobacco spinner and retail trader, and his wife Isabella, Thomson was born the eighth of nine children in Edinburgh in the year of Queen Victoria's accession. After his schooling in the early 1850s, he was apprenticed to a local optical and scientific instrument manufacturer, thought to be James Mackay Bryson. During this time, Thomson learned the principles of photography and completed his apprenticeship around 1858. During this time he also undertook two years of evening classes at the Watt Institution and School of Arts (formerly the Edinburgh School of Arts, later to become Heriot-Watt University). He received the "Attestation of Proficiency" in Natural Philosophy in 1857 and in Junior Mathematics and Chemistry in 1858. In 1861 he became a member of the Royal Scottish Society of Arts, but by 1862 he had decided to travel to Singapore to join his older brother William, a watchmaker and photographer.
Nikolai Roerich
Russian, 1874-1947 Russian painter, stage designer and founder of cultural institutions. The son of a lawyer of Scandinavian descent, he graduated from the studio of the landscape painter Arkhip Kuindzhi at the Academy of Fine Arts (1897) and from the faculty of law at the University of St Petersburg (1898). He then studied in Paris with the history painter Fernand Cormon (1900). Roerich had wide interests and made an important contribution to Russian culture: he lectured at the Institute of Archaeology (1898); he became secretary of the Society for the Encouragement of the Arts (1901) and director of its school (1906); and he was the first chairman of the World of Art (Rus. Mir Iskusstva) Society (1910). The first volume of his collected cultural writings was published in Moscow in 1914. As a painter he exhibited with the Academy from 1897, WORLD OF ART from 1902, the Vienna Secession c. 1905 and the Salon d'Automne in Paris in 1906. From c. 1903 he was a leading member of the artists' colony at TALASHKINO, where he designed mosaics, friezes, murals and furniture. As a stage designer in Russia, he worked between 1907 and 1915 for such directors as Nikolay Yevreinov (1879-1953),